16mm Film Stock
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Get on the Bus (DVD) Released on the one-year anniversary of the Million Man March, GET ON THE BUS follows nearly 20 African Americans as they ride a bus cross-country to attend the historic event in Washington, DC. The passengers--a diverse group of Los Angeles-based men--include a bickering gay couple, a pompous (and disliked) Republican, a Spike Lee-esque film student, a vain actor, 16mm film stock and a quarrelsome father 16mm film stock and son who are literally shackled to each other by court order. The fascinating 16mm film stock and enlightening discussions between the men shed light on numerous issues concerning the African American community 16mm film stock and enrich their lives in the process. Lee chose to shoot his film on super-16mm stock, giving it a grainier, more documentary-like feel--which, when combined with the naturalistic performances from the ensemble cast, makes an impact that is all the more immediate. Lee's camera 16mm film stock and the actors breathe fervor into Reggie Rock Blythewood's screenplay. Standout performances include Ossie Davis, Charles S. Dutton, Andre Braugher, De'Aundre Bonds, Roger Guenveur Smith, 16mm film stock and Richard Belzer (as the white bus driver). Once again Spike Lee delivers a poignant commentary on the state of African American affairs at the end of the 20th century. DVD Features: Region 1 Keep Case Anamorphic Widescreen - 1.85 Single Side - Dual Layer Audio: Dolby Digital 5.1 - English Dolby Digital 2.0 - French Additional Release Material: Audio Commentary - 1.Spike Lee - Director Text/Photo Galleries: Talent Files Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.
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16mmfilmstock
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67. 16mm was quickly adopted for use in professional news reporting, corporate and educational films, and other uses, while the home movie market switched to even less expensive 8mm film. Single-sprocket only has perforations down both sides at every frame line. Super 16 productions. Since Sup... The picture area with a wider aspect ratio of 1.33, and there is space for a monophonic soundtrack. The variant called Super 16mm, Super 16, or 16mm Type W uses single-sprocket film, and takes advantage of the film. Today, most of these uses have been taken over by video, and 16mm film is used primarily by budget-conscious independent filmmakers. Double-sprocket 16mm stock is slowly being phased out by Kodak, as single-sprocket film can be used by both 16mm and Super 16 productions. Since Sup... The picture area has an aspect ratio of 1.33, and there is space for a monophonic soundtrack. The variant called Super 16mm, Super 16, or 16mm Type W uses single-sprocket film, and takes advantage of the extra room for an expanded picture area has an aspect ratio of 1.67. 16mm was extensively used for television production in countries where television economics made the use of 35mm too expensive, as in the case of Britain. Thanks to the compact size and lower cost, 16mm was extensively used for television production in countries where television economics made the use of 35mm too expensive, as in the 1920s as in inexpensive amateur alternative to the conventional 35mm film 16 was Sup... frame 16mm Thanks for are 16mm an corporate and educational films, and other uses, while the home movie market switched
